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Month January 2009

Michel Foucault – Discipline and Punish

I’m currently reading and enjoying Foucault’s Discipline and Punish. Taken from Wikipedia is the summary/main information:

Discipline and Punish: The Birth of the Prison is a book written by the philosopher Michel Foucault. Originally published in 1975 in France under the title Surveiller et punir: Naissance de la Prison, it was translated into English in 1977. It is an examination of the social and theoretical mechanisms behind the massive changes that occurred in western penal systems during the modern age. It focuses on historical documents from France, but the issues it examines are relevant to every modern western society. It is considered a seminal work, and has influenced many theorists and artists.

Foucault challenges the commonly accepted idea that the prison became the consistent form of punishment due to humanitarian concerns of reformists, although he does not deny those. He does so by meticulously tracing out the shifts in culture that led to the prison’s dominance, focusing on the body and questions of power. Prison is a form used by the “disciplines”, a new technological power, which can also be found, according to Foucault, in schoolshospitals, military barracks, etc. The main ideas of Discipline and Punishcan be grouped according to its four parts: torture, punishment, discipline and prison.

Read the full Wikipedia article.

Another take on journalism

This time from Matthew Yglesias who writes that:

People should also recall that a catastrophic collapse of the newspaper industry would hardly be without precedent. The real heyday of American newspapering came in the late 19th and early 20th centuries when the United States features a literate population and no broadcast media. The rise of radio and television had a devastating impact on the industry and caused massive shrinkage in the volume of papers. This shrinkage then led to what journalists consider the heyday of Americanjournalism when the industry had fallen so far that most papers faced little-to-no competition and could serve as authoritative “objective” sources of information. We’re now once again amidst and era in which technological change is going to kill off a lot of existing business models. But all this has happened before, and all this will happen again.

While the simple fact that a decline has precedent doesn’t mean that we should disregard the current decline in print journalism it is nonetheless important when we read doom and gloom articles about the current state of the newspaper industry. The idea that Yglesias brings up in his post (i.e. that money ought to be invested in non-profit media institutions) is a good one, and hopefully one that philanthropists like Warren Buffet and Bill Gates will listen to.

Ultimately I see the eventual decline of print journalism as inevitable. Over the past decades society as a whole has simply moved toward more image-based and more fragmented modes of consuming information. This can be seen with the rapid growth of the television and then the internet. Both of these mediums encourage people to digest news in short blurbs and bursts and do not require the time that reading newspaper articles does. Overall, I think that a vast percentage of society has been conditioned to not have the attention span needed for reading through the New York Times or the Atlantic Monthly. It’s too bad, but I fear it’s true.

Read the original article.

Techno Brows

Sometimes YouTube just has the best stuff on it:

Tip from Andrew Sullivan.

This is an unexpected visitor

Out of all the photographers and photos that I find on Flickr Trey Ratcliffe’s (aka Stuck in Customs) are by far my favourite. Here’s just one more example of that.

A critique of Morrison

Finally, another human on this planet that does not think that Toni Morrison is the greatest writer alive. B.R. Myers writes of Morrison’s new novel A Mercy that:

How shallow and vague that is; how glibly it breezes through the life of the mind. A Mercy is eked out with a few set pieces, but even they rush us through; the book never seems to settle into narrative “real time.”

For all its cheerlessness, the novel is anything but grittily realistic. Some scenes, such as one in which a character gets out of her bath “aslide with wintergreen,” evince an effort to make even these miserable lives picturesque. But Morrison’s failure to evoke the period is more the fault of her all-too-contemporary prose style: “1682 and Virginia was still a mess.” No one likes an archaizer, apart from a million Cormac McCarthy fans, but a novelist writing of the 17th century should at least avoid language that is jarringly inconsistent or out of place. Reminiscing, the slaves vacillate between would-be-poetic English and an equally improbable sort of Hollywood Injun: “Shadows of men sat on barrels, then stood. They said they were told to break we in.” Anachronisms abound, from New Age lingo like “She gives off a bad feeling” to the dialect of the postbellum South: “her borning young.” We are even told that our Anglo-Dutch trader had “gone head to head with rich gentry.” What, and not drunk their milk shake?

For the one required class on campus Freshman year we were required to read Beloved which I found to be a self-indulgent and arrogant piece of literary crap. I have never been able to understand why Toni Morrison gets the praise that she does for her novels while other American writers simply get overshadowed.

Link to the original article.